Hub.Hubben
Ritman’s magical library: the Bibliotheca Philosophica Hermetica.
State
purchases one of the most beautiful book-collections
A great number
of books to lick one’s lips over are in the Ritman collection,
partly acquired by the state last week: thousands of rare books bought
by a businessman with a true collector’s passion.
Never say ‘never’, but it would be a strange turn of events
if the Bibliotheca Philosophica Hermetica of businessman Joost Ritman
were to meet with the same fate as the library of the flamboyant book
collector Boudewijn Büch. After the latter’s death, the heirs
took the circa 100.000 books of the author/globe-trotter to auction.
Büch didn’t mind that his library would be dispersed after
his death, but anyone who had the privilege to enter his book-palace
on the Keizersgracht will be saddened by it, if only because today it
is virtually impossible for a private person to gather together such
an extensive collection.
On the other hand, the quality of Büch’s collection was varied
and uneven. He was an eager buyer who purchased dozens of books at a
time through catalogues and antiquarian bookshops – and sometimes
forgot to pay for them, too. Joost Ritman (64) is another story. For
years he was also a truly inspired collector of art and books. His zest
for collecting knew no bounds thanks to the millions he made with the
production of disposables for airline companies.
Ritman collected almost anything one can imagine: eastern rugs, etchings
by Rembrandt (more than a hundred!), lacquered boxes, art nouveau jewelry,
porcelain, seventeenth-century glass and silver, antique furniture,
paintings of Dutch masters. Between 1976 and 1992 Ritman spent 95 million
guilders on art objects, about as much as all Dutch museums together
spent on art in the same period. Ritman bought with great expertise.

Foto: Joost van den Broek, Hollandse Hoogte |
Books are his greatest passion. Amazement, admiration and, I admit,
jealousy, are the sentiments that vie for preference in the heart of
the book lover who visits Joost Ritman’s life’s work in
the Bloemstraat in Amsterdam: the library holds 20.000 volumes. Among
them are the rarest and most beautiful books on the face of the earth.
Books dating from the last thousand years – many bound in leather
or vellum – furnish the walls of three connected buildings, fixed
by the gazes of the busts representing the Florentine dynasty of the
De Medici bankers and patrons of art. About a third of the collection
has recently been purchased by the State of the Netherlands for the
amount of 18,75 million euros. With this the state concretized the protected
status of the library which, since 1994, falls under the cultural heritage
act. The books acquired have immediately been given in loan to the library.
The value of the entire collection is estimated at about a hundred million
euros.
As a sixteen-year old adolescent, Joost Ruben Ritman started collecting
books. He wanted to build a collection which, as he once put it, ‘concentrated
on the stepchildren of theology, philosophy and science’. The
core of the collection is formed by manuscripts and books by hermetic
philosophers, mystics, alchemists and Rosicrucians. The Ur-text of hermetic
philosophy, a philosophy which regards the spiritual knowledge about
God, man and cosmos, is the Corpus Hermeticum, attributed to the Egyptian
mystery figure of Hermes Trismegistus and dating to the first centuries
of the Common Era.
From late antiquity onwards, many thinkers, writers and scientists have
studied and commented on the complex and not always very accessible
texts from the Corpus Hermeticum. Mindful of the ad fontes-principle,
which is the basis for the library, Ritman collected all possible early
printed books and sources that were even remotely related to hermetic
philosophy. A philosophy which could be summed up with a pithy citation:
‘Earthly man is a mortal God, the heavenly God is an immortal
man’.
With this adage in mind the world of the antiquarian book proved a mer
à boire for a man who had fabulous amounts of money at his disposal.
The BPH’s 500 manuscripts, 300 incunables (books printed before
1501) and thousands of books printed before 1800 are deposited in two
rooms and are made available to researchers upon request. Their value
may equal the price of a villa in Tuscany: the first illustrated edition
(1481) of the Divina Commedia by Dante Alighieri; the illuminated Book
of Hours of Beatrix van Assendelft, one of the most important late medieval
manuscripts from the Netherlands; the first printed edition of the Imitatio
Christi by Thomas a Kempis, a copy once owned by the French printers
and publishers Firmin-Didot; the Biblia Germanica, printed in 1483 by
Anton Koberger and containing 109 woodcuts, appears side by side with
Plantin’s eight-volume Polyglot Bible.
Esther Oosterwijk-Ritman (40), the collector’s daughter and since
two years director of the BPH, together with curator José Bouman,
shows treasure after treasure, such as the editio princeps of Plato’s
Opera of 1484 in the Latin translation of Marsilio Ficino, a book that
can hardly be lifted up. Most copies of this edition are incomplete
as the translation was published in parts; the Ritman library copy,
however, is complete. Breathtaking is the two-volume history of the
micro- and marocosmos by the English mystical philosopher Robert Fludd,
an encyclopedia (1617) that covers all scientific disciplines and is
filled with engravings that refer to the foundations of the hermetica.
There is also a copy of De Revolutionibus Orbium Coelestium in which,
just before his death (1543), Copernicus proved that not the earth but
the sun was at the centre of the universe. Interestingly, it appears
that Copernicus, supporting his then daring thesis, quoted Hermes who
centuries before held the same opinion.
‘
We penetrate ever more deeply into the layers of the collection’,
says Esther Ritman, which also appears from the arrangement of the books
on the library’s shelves in such a manner that visitors can easily
find their way. This especially goes for the modern (post-1800) books
and reference works that can be found in cases with headings such as
Kabbalah, Theosophy, Anthroposophy, Modern Devotion, and Freemasonry.
Many of the books were purchased by Frans A. Janssen, professor in the
history of the book and the library, appointed by Ritman as director
of the BPH in 1983. Janssen was head of the library for nearly twenty
years and, assisted by José Bouman, made the collection available,
turning the BPH into an institution of world fame. In 1986, remembers
Joost Ritman, in an overcrowded and overheated auction room of the French
auctioneer Drouot in Paris, Janssen succeeded in laying his hands on
the first edition of the Corpus Hermeticum (1471), translated into Latin
by Marsilio Ficino. The book forms the heart of the BPH and according
to Esther Oosterwijk-Ritman is regarded by some as ‘the second
great revelation next to the Bible’. To honour Janssen, an exhibition
compiled by Theodor Harmsen opened on 4 December last year (to be seen
until July 2005) devoted to one of Janssen’s favourite humanists,
Jacques Lefèvre d’Étaples (ca. 1460-1536).
During the Gulf War in 1991 Ritman’s bankers became nervous and
stopped the money-flow when he did not pay his debts quickly enough.
The enormous art collection went under the hammer and ING bank threatened
the library with the same fate. The history of the long battle between
the bookkeepers and an impassioned book-collector still needs to be
written, but the winner is Ritman.
A long time ago Boudewijn Büch expressed his displeasure about
Joost Ritman’s buying behaviour in de Volkskrant. ‘The Ritman
collection is a magical collection. Many strange scary books by Rosicrucians
and so on. The cultural value is limited’.
Jealousy, it must have been blind jealousy. Büch’s dodo versus
the pelican, the symbol of Joost Ritman’s book-palace near the
Westertoren. An unequal battle, Büch knew.
Exhibition: Theodor Harmsen, Drink from this fountain, an exhibition
in honour of Frans A. Janssen, Bibliotheca Philosophica Hermetica, until
July 2005. www.ritmanlibrary.nl
Translation of an article by Hub.Hubben which appeared in De Volkskrant,
21 April 2005.